Lesson 61: Sbek Thom: Khmer Shadow Theater

Info Desk: Sbek Thom

Advanced Cultural Reading (C1)
Intangible
អរូបី /ɪnˈtæn.dʒə.bəl/
Repertoire
បញ្ជីសិល្បៈ /ˈrep.ɚ.twɑːr/
Silhouette
ស្រមោលខ្មៅ /ˌsɪl.uˈet/
Invocation
ការបួងសួង /ˌɪn.vəˈkeɪ.ʃən/
Articulated
ដែលមានសន្លាក់ /ɑːrˈtɪk.jə.leɪ.t̬ɪd/
Static
ដែលនៅស្ងៀម /ˈstæt.ɪk/

Sbek Thom: The Sacred Shadow

Sbek Thom (literally "Large Hide") is a revered form of Khmer shadow theater that traces its origins back to the pre-Angkorian period. Unlike *Sbek Touch* (small puppetry) which uses articulated puppets to tell varied stories, *Sbek Thom* utilizes massive, static leather panels carved from single cowhides. Some of these panels can reach two meters in height, intricately dyed to create dramatic silhouettes against a screen illuminated by a roaring fire.

A defining constraint of this art form is its repertoire. *Sbek Thom* is exclusively dedicated to performing episodes from the *Reamker*, the Cambodian interpretation of the ancient Indian epic, the *Ramayana*. This limitation highlights its sacred nature; it is not merely entertainment but a moral enactment of the battle between good and evil.

The performance is physically demanding. The puppeteers are not hidden behind a curtain; they perform in front of the screen. They are trained dancers who animate the static leather figures through specific, rhythmic dance steps. The puppeteer essentially becomes one with the character they hold.

Traditionally, performances were rare, serving as a ritualistic invocation performed three or four times a year—such as during the Khmer New Year or the King's birthday—to dedicate merit to the gods. In 2005, UNESCO recognized *Sbek Thom* as a Masterpiece of the Oral and Intangible Heritage of Humanity.

1. What is the main physical difference between *Sbek Thom* and *Sbek Touch* puppets?
2. What role does the puppeteer play in a *Sbek Thom* performance?
3. Why is the *Reamker* the only story performed in *Sbek Thom*?

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