The B-Story
A complex narrative has an A-Story (the main plot) and a B-Story (the subplot). The B-Story runs parallel and adds emotional depth or complications to the main plot.
The A-Story
Example: "The Fading Fish Trap"
The protagonist is fighting to save the traditional fishing methods of their village before the river dries up completely due to an upstream dam.
*The A-Story is usually what the movie is "about" on the poster.
The B-Story
Example: "The Fading Fish Trap"
Meanwhile, the protagonist's younger sibling is secretly learning modern Ligne Claire animation to tell their family's story to the world, causing friction in the family.
*The B-Story explores themes, relationships, or character growth.
Transitions
If the B-Story doesn't affect the A-Story, it's just a distraction.
The brother's animation goes viral, bringing international attention and saving the river! ✅
Narrative Check ⚡
Director's Chair 🎯
Director's Chair 🎯
Director's Chair 🎯
Narrative Pacing
Filmmaker's Tip: Watch how screenwriters use the B-Story to give the audience a break from the intense action of the A-Story, controlling the emotional pacing of the film.
Writer's Room Q&A 🎬
Advanced Narrative Q&A
Great question! For a short format (under 20 minutes), stick to exactly ONE subplot (B-Story). If you add a C-Story or D-Story, your narrative becomes too cluttered, and the audience will lose emotional connection to your main protagonist. Keep it tight! 🎬
Can the B-Story be more interesting than the A-Story? I really love writing my side characters.
It shouldn't be! This is a common trap for writers. If your B-Story is consistently more engaging and emotional than your main plot, you might need to rethink your structure. Perhaps that side character should actually be your main protagonist! The A-Story must always drive the overall narrative forward. 🚀
How many subplots are too many for a short animated series?